A new issue of the Cinema: Journal of Philosophy and the Moving Image has been published. Cinema is an international peer-reviewed publication dedicated to the philosophical inquiry, not just into film, but into cinema in the broadest sense. The journal publishes original critical articles, book reviews, conference reports, interviews, and makes available art work within the field of philosophical research on the moving image.

CINEMA: JOURNAL OF PHILOSOPHY AND THE MOVING IMAGE 13 (2021)

“The Leftovers, Philosophy and Popular Culture”
Editor: Susana Viegas

CONTENTS | ÍNDICE

Abstracts 1-6

Introduction: The Leftovers, Philosophy, and Popular Culture, Susana Viegas (IFILNOVA) 7-20

ARTICLES | ARTIGOS

Stay Broken: Nietzsche, Badiou, and The Leftovers’ Nihilism, Patrick O’Connor (Staffordshire University) 22-40

We will not recover from Scepticism unless we aim to the Existential: Emotional Engagement and Popular Music in The Leftovers, Enric Burgos (University of Valencia and Jaume I University) 41-60

When the Cement of the Universe Breaks Apart. Hume, Causality, and The Leftovers, Enrico Terrone (University of Genoa) 61-71

“We’re All Gone”: A Postsecular Account of The Leftovers’ Traumatic Existentialism as ‘Religious Ground Zero’, Ilaria Biano (Italian Institute for Historical Studies) 72-81

Time, Grief, and Grace: A Bachelardian Interpretation of Nora’s Journey, Michael Granado (Staffordshire University and Sora Schools) 82-92

The End of the World: Confusion in The Leftovers, Keith Dromm (Louisiana Scholars’ College at Northwestern State University) 93-105

BOOK REVIEWS | RECENSÕES DE LIVROS

Immanent Frames. Postsecular Cinema between Malick and Von Trier, Maria Irene Aparício (FCSH-Universidade Nova de Lisboa/Ifilnova) 107-113

Falso Movimento. Ensaios Sobre Escrita e Cinema, Alexandre Nascimento Braga Teixeira (FCSH-Universidade Nova de Lisboa) 114-117

Funny How: Sketch Comedy and the Art of Humor, Diego Hoefel (FCSH-Universidade Nova de Lisboa) 118-121

Poetics of Slow Cinema: Nostalgia, Absurdism, Boredom, Manuel Oliveira (FCSH-Universidade Nova de Lisboa) 122-126

Body Images in the Post-Cinematic Scenario: The Digitization of Bodies, Philipp Teuchmann (FCSH-Universidade Nova de Lisboa) 127-132

Silent Cinema: A Guide to Study, Research and Curatorship, Sofia Sampaio (Instituto de Ciências Sociais da Universidade de Lisboa) 133-137

CONFERENCE REPORTS | RELATÓRIOS DE CONFERÊNCIAS

The Conference as Zoo(m) (Exagium in Memoriam Eileen Rositzka), William Brown (Independent scholar) 139-145