CineLab
20/12/2021
Cinema 13
New issue!
Cinema 13 cover

A new issue of the Cinema: Journal of Philosophy and the Moving Image has been published. Cinema is an international peer-reviewed publication dedicated to the philosophical inquiry, not just into film, but into cinema in the broadest sense. The journal publishes original critical articles, book reviews, conference reports, interviews, and makes available art work within the field of philosophical research on the moving image.


CINEMA: JOURNAL OF PHILOSOPHY AND THE MOVING IMAGE 13 (2021)

The Leftovers, Philosophy and Popular Culture
Editor: Susana Viegas


CONTENTS | ÍNDICE


Abstracts 1-6

Introduction: The Leftovers, Philosophy, and Popular Culture, Susana Viegas (IFILNOVA) 7-20


ARTICLES | ARTIGOS


Stay Broken: Nietzsche, Badiou, and The Leftovers’ Nihilism, Patrick O’Connor (Staffordshire University) 22-40


We will not recover from Scepticism unless we aim to the Existential: Emotional Engagement and Popular Music in The Leftovers, Enric Burgos (University of Valencia and Jaume I University) 41-60


When the Cement of the Universe Breaks Apart. Hume, Causality, and The Leftovers, Enrico Terrone (University of Genoa) 61-71


“We’re All Gone”: A Postsecular Account of The Leftovers’ Traumatic Existentialism as ‘Religious Ground Zero’, Ilaria Biano (Italian Institute for Historical Studies) 72-81


Time, Grief, and Grace: A Bachelardian Interpretation of Nora’s Journey, Michael Granado (Staffordshire University and Sora Schools) 82-92


The End of the World: Confusion in The Leftovers, Keith Dromm (Louisiana Scholars’ College at Northwestern State University) 93-105


BOOK REVIEWS | RECENSÕES DE LIVROS


Immanent Frames. Postsecular Cinema between Malick and Von Trier, Maria Irene Aparício (FCSH-Universidade Nova de Lisboa/Ifilnova) 107-113


Falso Movimento. Ensaios Sobre Escrita e Cinema, Alexandre Nascimento Braga Teixeira (FCSH-Universidade Nova de Lisboa) 114-117


Funny How: Sketch Comedy and the Art of Humor, Diego Hoefel (FCSH-Universidade Nova de Lisboa) 118-121


Poetics of Slow Cinema: Nostalgia, Absurdism, Boredom, Manuel Oliveira (FCSH-Universidade Nova de Lisboa) 122-126


Body Images in the Post-Cinematic Scenario: The Digitization of Bodies, Philipp Teuchmann (FCSH-Universidade Nova de Lisboa) 127-132


Silent Cinema: A Guide to Study, Research and Curatorship, Sofia Sampaio (Instituto de Ciências Sociais da Universidade de Lisboa) 133-137


CONFERENCE REPORTS | RELATÓRIOS DE CONFERÊNCIAS


The Conference as Zoo(m) (Exagium in Memoriam Eileen Rositzka), William Brown (Independent scholar) 139-145